Aesthetic Investigations 2020 Volume 3(2)

Special Issue on Philosophy of Film Without Theory

Mikel Burley
Getting Away with Murder? Crimes and Misdemeanors and Alternative Conceptions of Justice
Katheryn Doran                     
With Friends like These… or: How Not to Respond to the Imposition Objection
Michael Forest         
Emerson’s Vision of America in John Ford’s Stagecoach
Craig Fox     
Police, Adjective and Attunement to the Significance of Things
Craig Fox & Britt Harrison
Inaugurating Philosophy of Film Without Theory
Rob van Gerwen         
What They See is What We Get: The Real Tells the Fiction
Britt Harrison   
The New World: Heideggerian or Humanist Cinema?
Kristin A. Hrehor   
Mother-Daughter Identity Constructs in Lady Snowblood and Carrie
Andrew Klevan   
Ordinary Language Film Studies
Colin Heber Percy     
The Flesh is Weak: Empathy and Becoming Human in Jonathan Glazer’s Under the Skin
Jônadas Techio                                                                                                                                   Mourning the Loss of the Ordinary: A Cavellian Reading of Ozu’s Late Spring
Shai Tubali         
When the Silent Universe Speaks: Testing Camus’ absurd in the alien encounters of Contact and Arrival

Philosophy of Film Without Theory (Forthcoming 2021) Palgrave Macmillan.

Craig Fox & Britt Harrison are co-editing a collected volume of commissioned papers.

The contents will include an Interview with Malcolm Turvey & Richard Allen, together with chapter contributions from Lucy Bolton, Carla Carmona, James Conant, Katheryn Doran, Elizabeth Hope Finnegan, Maximilian De Gaynesford, Rob van Gerwen, John Gibson, Eran Guter, Inbal Guter, Colin Heber-Percy, Andrew Klevan, David Macarthur, Rupert Read, Bernhard Ritter, Constantine Sandis, Sebastian Sunday, Iris Vidmar, and William Rothman.  Co-editors Craig Fox and Britt Harrison will each contribute a chapter as well as the volume Introduction.
















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